The fact that the traveler took this path over the more popular, secure one indicates the type of personality he has, one that does not want to necessarily follow the crowd but do more of what has never been done, what is new and different. Our route is, thus, determined by an accretion of choice and chance, and it is impossible to separate the two.
In a series of which we do not know the extremes, and believe that it has none. What is fallacious in an argument can be mesmerizing in a poem. Frost seems to have deliberately chosen the word "roads" rather than "waies" or "paths" or even "pathways.
In its classic Fireside expression, the details of landscape and all natural events are cagily set up for moral summary as they are marched up to the poem's conclusion, like little imagistic lambs to slaughter, for their payoff in uplifting message.
From the beginning, when it appeared as the first poem in Mountain Intervalmany readers have overstated the importance of "The Road Not Taken" to Frost's work.
One of the attractions of the poem is its archetypal dilemma, one that we instantly recognize because each of us encounters it innumerable times, both literally and figuratively.
And the hero has only illusory choice.
Living in Gloucestershire, writes Lawrance Thompson, Frost had frequently taken long countryside walks with Thomas. Regardless of the original message that Robert Frost had intended to convey, his poem, "The Road Not Taken", has left its readers with many different interpretations. And why does Frost think that difference worth preserving?
Two roads diverged in Critical essays on the road not taken yellow wood And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; 5 Then took the other, as just as fair And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that, the passing there Had worn them really about the same, 10 And both that morning equally lay In leaves no step had trodden black.
I shall be telling this with a sigh Somewhere ages and ages hence; Two roads diverged in a wood, and I -- I took the one less traveled by, And that has made all the difference. But what propelled choice on that fateful morning?
The less traveled road symbolizes this improbability of recording or examining the nearly endless factors applicable; in result, insight is lost and therefore the road is barren. I verily expected to take up or absorb this other self and feel the stronger by the addition for the three-mile journey home.
The common road is filled with scenery, and visible from a great distance; making it more appealing. I disagree with Frank Lentricchia's suggestion in Modernist Quartet that "The Road Not Taken" shows how "our life- shaping choices are irrational, that we are fundamentally out of control" And he admits that someday in the future he will recreate the scene with a slight twist: Only in the last stanza is any noticeable difference between the two roads established, and that difference is established by fiat: The fact is, there is no text to be read, because reading requires a differentiation of signs, and on that morning clear signifying differences were obliterated.
It was perfect for Meiklejohn's purposes because it was no idle reverie, no escape through lovely language into a soothing dream world, but a poem rather which announced itself to be "about" important issues in life: A Literary Life Reconsidered.
Both ways are equally worn and equally overlaid with un-trodden leaves. Dickinson's poem is straightforwardly and orthodoxically religious. This reading of the poem is subtly different from, and bolder than, the idea that existence is merely subject to the need to make decisions.
Judge then how surprised I was the other evening as I came down one to see a man, who to my own unfamiliar eyes and in the dusk looked for all the world like myself, coming down the other, his approach to the point where our paths must intersect being so timed that unless one of us pulled up we must inevitably collide.
Frost is trying to reconcile impulse with a con- science that needs goals and harbors deep regrets.
Our journey had advanced; Our feet were almost come To that odd fork in Being's road, Eternity by term. Though the problem of making a choice at a crossroads is almost a commonplace, the drama of the poem conveys a larger mythology by including evolutionary metaphors and suggesting the passage of eons.
For the large moral meaning which "The Road Not Taken" seems to endorse - go, as I did, your own way, take the road less traveled by, and it will make "all the difference"-does not maintain itself when the poem is looked at more carefully. There is no evidence that Frost ever contemplated doing so, in agony or otherwise.
If we juxtapose these remarks with his earlier determination to reach out as a poet to all sorts and kinds of people, and if we think of "The Road Not Taken" as a prime example of a poem which succeeded in reaching out and taking hold, then something interesting emerges about the kind of relation to other people, to readers - or to students and college presidents - Frost was willing to live with, indeed to cultivate.
Commentary This has got to be among the best-known, most-often-misunderstood poems on the planet. I felt as if I was going to meet my own image in a slanting mirror. Later, when readers persisted in misreading "The Road Not Taken," Frost insisted that his poem had been intended as a sly jest at the expense of his friend and fellow poet.
Go instead where there is no path and leave a trail. After all, Frost might more easily and obviously have written the stanza like so emphasis mine: Frost recited the poem all right, but, as his friend remembered, "he didn't let me get away with 'two paths!
Now, five years after his address, he was bringing to Amherst someone outside the usual academic orbit, a poet who lacked even a college degree. Precisely who is not doing the taking? Two distinct objects may, by being dexterously presented, again and again in quick succession, to the mind of a cursory reader, be so associated together in his thoughts, as to be conceived capable…of being actually combined in practice.
The act of choosing changes the person making the choice. At the heart of the poem is the romantic mythology of flight from a fixed world of limited possibility into a wilderness of many possibilities combined with trials and choices through which the pilgrim progresses to divine perfection.“The Road Not Taken” Poem Analysis “The Road Not Taken” is a poem about a person that has come to a fork in the road and has to make a decision of which path to go down.
That is the literal meaning of the poem but it has a much deeper meaning behind it. The poem 'The Road not Taken' can easily be considered as one of the best short poems written by the Robert frost taken into consideration the seemingly easy to understand but the inherent complex meaning of the poem.
Critical Interpretation of "The Road Not Taken" by Robert Frost As a poem, "The Road Not Taken" is a great source of inspiration and able to be understood by all readers from an intuitive reader to a novice poem reader.4/4(1). TEXT TO ANALYSIS ESSAY- The Road Not Taken By Robert Frost Posted on October 21, by Ekrmaul Haque The poem, “The Road Not Taken” by Robert Frost states that in life we come upon many decisions, and there are.
- Critical Interpretation of “The Road Not Taken” by Robert Frost As a poem, “The Road Not Taken” is a great source of inspiration and able to be understood by. The Road Not Taken Essay Sample. A Literary Analysis of Robert Frost’s “The Road Not Taken” The Road not Taken if one of the most popular poems of Robert Frost.
The poem describes a person, who chooses between two roads and reflects about his choice later.Download